Selected posts from François Simond's daily writings
Color is consistent and close enough to content creators intent in movie theaters because each calibrate their projectors and screens
I've been fascinated by this explanation on how calibration was done for film distribution with inevitable deviations due to the analog nature of the process.
In this video, +CineTechGeek shows it consists in calibrating essentially the primaries coordinates. I wonder what the response curve is tho: I suppose essentially linear with a rolloff in highlights? Cool stuff, I'll watch more or those videos to continue learning about it 😊